An analysis of the musical urinetown

As the millennium turns, Urinetown is poised to become the Show Boat or Hair or Company of a new age of musical theatre, the new model that will replace the Rodgers and Hammerstein model. All restroom activities are done in public toilets controlled by a megacorporation [11] called " Urine Good Company" or UGC.

I really respect Sondheim in all ways. To conserve water and generate cash flowan evil tycoon aided by corrupt politicians controls "public amenities. From the first few pages he gave me, however, I was able to get a handle on a style and could easily spot a terrific song opportunity.

There was so much to learn in the fundamentals of harmony, orchestration, counterpoint and other theory. The show ran performances, more than two years, a run that might have lasted far longer if not for September 11 and its crippling of Broadway.

We were on the outside in Chicago, in that we had no connections to commercial producers or the large, institutional theaters, so we produced our own shows in storefront theaters.

Bobby concludes that the laws are wrong. Of course, we had hope that someone would find value in it, but our background was as self-producers.

And I listened to operas, Carmen and Otello and others. I assumed we would have to find a nice not-for-profit theater that would be willing to take this strange project under its wing. I have two younger sisters and when we got a piano in the house, everyone started playing it, although I am the only one who remained with it.

Cullum connected the past to the future, standing astride the gap between old-fashioned, "integrated" musical theatre and this new brand of smartass, postmodern musicals. It was nominated for 10 Tony Awards and won three. In this moment she is reading the riot act to the downtrodden customers of her Public Amenity 9.

As it turned out, the joke is on Kotis and Hollmann: However, I think Bill was telling me that Sondheim was not the one to follow as a melodist, even though he has come up with some great melodies. By winter that producer had joined with three other backers, but the show was delayed for a year while they searched for a theater with the same grungy feel of the former auto repair shop that had housed the show at the Fringe.

He holds a B. He gets on the local TV stations as a activist. It was not very good, but it was an important first step for me. Our whole culture has been heading in the direction of Ironic Detachment, not just musicals.

What is wonderful is the energized spirit that flashes through the show like lightning. I remember seeing Singing in the Rain when I was thirteen or fourteen and I thought that was terrific. By then the producers had found John Rando to direct and landed musical-theater warhorse, Tony winner, and TV actor John Cullum to play the pay-toilet magnate.

But when I moved to New York, I wanted to get away from being an actor and an improv group member and even a piano player. Bobby regrets having ever listened to his heart. Loesser in Guys and Dolls throws the emotions into neutral: But I ended up switching to music as a major midway through my years there.

I stood there on the sidewalk for a moment or two, thinking the thing through. Urinetown Original Broadway Version A sidesplitting sendup of greed, love, revolution and musicals! That is an important benchmark for me and that is what I have aspired to.

But would he really be so evil? The Comedy Central cable channel is just one example, the home for several post-modern, self-referential, Ironic Detachment TV shows like The Daily Show the parody news showThe Colbert Report the parody news commentary showDrawn Together the parody reality showReno the parody reality cop showThe Showbiz Show the parody entertainment news magazine and others.

When I was in Chicago I ended up being sort of a jack-of-all-trades and around the time I turned 30 that was starting to worry me.

Clancy liked the concept and encouraged them to apply to the festival. A musician friend who listened to the first draft commented that I must love Rodgers and Hammerstein. I think that is at the top of my list. The new musicals reject self-importance in favor of self-deprecation.Urinetown plot summary, character breakdowns, context and analysis, and performance video clips.

Urinetown Character Breakdown BOBBY STRONG The dashing, rebellious everyman who works for Miss Pennywise at the poorest, filthiest town urinal.

1 Urinetown: the Musical - Character Outlines Whilst there are several lead character roles, every player is required to characterize an individual role. Inside the Bowels of URINETOWN background and analysis by Scott Miller The music [in a musical] amplifies this element of separation, licensing us to stand apart from what we are seeing and enter a third dimension where each of us can individually decide whether to take the plot literally or sardonically, whether to take offense or simply collapse in giggles.

A synopsis of Urinetown, the darkly comic musical of the early s by playwright Greg Kotis, that enjoyed surprising success. Urinetown: The Musical is a satirical comedy musical that premiered inwith music by Mark Hollmann, lyrics by Hollmann and Greg Kotis, and book by Kotis. It satirizes the legal system, capitalism, social irresponsibility, populism, bureaucracy, corporate mismanagement, and municipal Greg Kotis.

An analysis of the musical urinetown
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