Amy laviers thesis

He wanted to understand the impact we were making.

Amy LaViers

For example, it may enable caregiving robots to have more comforting movement that is less intimidating to patients. When you walk, you are actually falling a tiny bit and then catching yourself with your leg.

Do you still dance?

Wired In: Amy LaViers

Where are the differences and where are Amy laviers thesis similarities? Your core also helps you adjust to walk on different types of terrain. And these humanoid robots could be very useful when you would rather not send a person to do a very dangerous task, like diffusing a bomb or during something like the Fukushima Daiichi nuclear disaster.

Wayne Clough Undergraduate Learning Commons. I believe this additional point of actuation can provide more stability and help develop robots that can manage any kind of task or terrain, without falling over.

Thank you very much for talking with us. LBMS is used by dancers, choreographers, physical therapists, actors and athletes. I have been dancing since I was little. We are actually building a new robotic platform to do this.

Their insights deep experience in robotics and software will bring sorely needed innovation, domain expertise, and fresh vigor to the market.

Well, something I have been thinking about lately is the problem that bi-pedal robots have with gait, or how they walk. Your initial movement starts in your core, not your leg. The market poses interesting options for this company.

He was enrolled in my course "Communicating New Ventures" and was able to work through a feasibility study, business plan and logo. How did you make this connection between dance and robotics? At AE we are working to extend these ideas to a commercial product.

Amy was passionate about her technology and showed a keen understanding of the need to focus on customer problems.

Featured Researcher – Amy LaViers, PhD

For example, my lab is using the same tools used to generate these styles to predict how long an automated cell in a factory can perform its task and to prescribe flexible strategies for prolonging this lifetime.

Most bi-pedal robots do not have functional cores. The AE team has a good understanding of the manufacturing industry and have a go-to-market strategy that fits their current goals.

This work also has very practical applications.

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I am looking forward to watching AE Machines continue to grow and positively impact small batch manufacturers. Later that afternoon, while watching a video of Twyla Tharp in dance class, I learned about the differences in stability and possible movements from first position in ballet as compared to modern dance.Amy LaViers, a Ph.D.

candidate in electrical and computer engineering at Georgia Tech, is defining the various styles of human movement and creating algorithms to reproduce them on a humanoid robot. Acknowledgments First and foremost, I would like to thank my advisor, and mentor, Professor Amy LaViers, for her support in my study and research, for polishing my research skills and above all.

Featured Researcher – Amy LaViers, PhD A my LaViers, Assistant Professor in Systems and Information Engineering talks with ARI about Laban/Bartenieff Movement Studies, Twyla Tharp, and how bi-pedal robots should walk.

Amy LaViers is an assistant professor in the Mechanical Science and Engineering Department at the University of Illinois at Urbana-Champaign and director of the Robotics, Automation, and Dance (RAD) Lab where she develops robotic algorithms inspired by movement and dance theory.

Faculty Profile

Catie met lab director Amy LaViers at the Conference on Research on Choreographic Interfaces (CRCI) in March oforganized by Sydney Skybetter, where common interests in consumer technology, choreography, and robotics drew the two together.

Amy LaViers is an Assistant Professor at the University of Virginia and the director of the Robotics, Automation, and Dance (RAD) Lab. She completed an undergraduate thesis at Princeton University and a doctoral dissertation at Georgia Inst.

of Technology that straddle the world of art and control engineering.5/5(1).

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